Christchurch shootings: 49 dead in New Zealand mosque attacks

Write your messages of Hope, Peace, Tolerance, Respect and Compassion. Light your word candles and hold them high against the darkness of ignorance, fear and hate.

Even through your pain and anguish post up your daily accounts of your own experiences be they, even if they are the humorous one you had planned a day ago. Remind us there is a lighter side to Life.

Write of your own achievements in a joyous way, so that we may share them and be thus blessed.

Write and never stop writing. Honour the slaughtered innocents with your words. Write of Love, Triumph of Good over Evil, Reconciliation, extol Hope, praise Light.

If your burn with anger, forge in its bright heat the steel of condemnation of all that breeds Hate. Let the world know you will not be taken in by these warped messages which foul the world. Send out your messages of support to those persecuted.

Write. Write your bright words. Lest the travesties and the bastardisations of the Hate Mongers take hold amongst the credulous and become the only and debased currency.

Write.

Write.

 

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Something of a launch of the launch of a book

Our Skirmishers of Steel, Fire and Lace

I had written up two posts on the themes of writing; the motivations and problems of writings and suchwhich. You know how it goes. They had been completed, saved and filed away in a folder (I love my folders, I have folders for folders- ok getting side-tracked…must stop taking about the joys of filing……). And I was going to return to them to edit, tidy and ‘someforth’ before posting up.

Then because of a certain headiness about completing a book, I started writing a lot about it, which is not really my  historical way of doing things. Previously it’s been a case of: ‘Ok. That’s done. That’s in print or on an e-book platform. There its is folks, Take it or leave it,’ Which explains volumes about why I don’t sell many books. OK there were a clutch of posts with extracts, which tended to be as examples on writing itself and a few throw away comments but going ‘heavy’ on a forthcoming novel. Gee, gosha…Heavens T’Betsy (no not the riot girrrl band)…. The very idea!

Anyway I thought since I had been fussing about this volume it would be best to write  a  post giving some detail of the content, themes and motivations. Therefore here is a book launch, my way-

Our Skirmishers of Steel, Fire and Lace. Vol II of The Precipice Dominions. (Preceded by Of Patchwork Warriors.) Set in a world where there is a power known as The Stommigheid, or the Ethereal or Astatheia depending on which organisation or beliefs you subscribe to. You can be born with it, you can work with it through machines, you can achieve some elemental control through study and effort, or you can get accidentally imbued.  It can be a physical force, a means of travel, a way to view other worlds and has multiple applications.

Of the three principal characters ‘Force of Nature’, Karlyn  was born with it; Trelli (with her feet on the ground) was given it by pure accident; Arketre (soldier in the elite LifeGuard) does not like it very much and does not get on with the many machines attuned to it. The first book was mostly about these three bonding and learning to work together while taking down a cabal; concluding with Karlyn and Arketre falling in love and Trelli going onto higher things.

The second volume takes up a few months after these events. Karlyn and Arketre are on an extended working ‘honeymoon’ and staying low in Terasonia the north-eastern princedom of a sort of European located empire. They are despatched by Arketre’s commanders in the LifeGuard to investigate the near house arrest of the local prince by one of his nobles. Trelli meanwhile has been under the mentorship of The Libratery the all-women branch of the official very institutionalised religion. They wish to hone her new skills, so she can be sent on a mission of their own. Because of the bond between the three women their paths will cross, and the trio will be a unit again

The narrative spans the empire. Most action taking place in Terasonia. It transpires in addition to the local political problems Terasonia is scheduled to be a staging ground of the invasion of the world by a long exiled humanish race The Shadow Lords. This draws in other unworldly  powers.

Whereas Karlyn, Arketre and Trelli are the central characters they are never in control or even remotely alpha. Arketre in particular is left ‘out the dry’ by her own commanders with only the most slender of orders. Karlyn has to deal with her own possible heritage with the Shadow Lords. Trelli is trying to make common sense of a time and place where nothing is straight forward, and she fears for her friends falling into the morass of factions, plot and counter plots where no one’s plans truly go as expected.

Despite these numerous challenges and dangers, being united at various levels the three women’s combined and individual actions impact on those plans of various players.

When I set down to write this, I wanted to throw a number of themes and genres into the mix, along with several influences. This was to see if the narrative, whereas not always linear  would be an understandable account of the chaos which is war and its attendant politics; the effect this has on those in the front-line, the major players when things go awry and also, those caught in the middle. As it is part of a series with no particular end, some minor narratives are introduced as they will be major later on, whereas some given space now might well take a back-seat in the next volume.

Whereas in the fantasy tradition there are also elements of science, although these are far from comprehensively understood and also religion(s). The narrative combines elements of comedy, mystery, tragedy, sacrifice, crime, adventure, compassion, cruelty, battlefield violence and romance; the latter two being quite graphic at times although in context. No one character has a monopoly on or always exempt from any of these elements.

Being a fantasy of high adventure the book does run into 430+ pages to ensure everyone gets their fair share on the stage and to rationalise why some actions take place. I admit to indulging here because being self-publishing I was having an entertaining time with the world and background building, though I did try to avoid long explanations by one character to others. The bulk of the narrative focusing on characters’ reactions to events and situations. The general motivation is to hopefully provide at the end of the day an entertaining read

Currently all the work has been done, save for the arrival of a cover, general tidying up of the appearance of chapters and then the launching onto, probably Amazon Kindle .

At this stage if anyone is interesting in reading the tale just contact me by email on nnqp1863@yahoo.co.uk and state whether you would prefer a Word or pdf copy. I do not expect anyone to drop everything and go into beta-reading mode, my intention is more to give folk an opportunity to see the book for themselves.

OK I’m done.

Back to those posts…

Writing Your Book- When The Feeling Arrives- Embrace it!

Firstly to the new writer, just starting out.

Yes, you’ve made progress on your work, but suddenly you are assailed by a whispering dread. ’Is it worth all this time and effort? What happens if someone reads it and doesn’t like it?’

If those sly words haven’t reached you yet, they will.

Follow me as I turn to writers of some experience, not all of it good.

Hi folks. I have a new writer here who I’ve scared a bit about the ‘D’ word. Yes, I agree with you, would that ‘doubt’ were banished from the lexicon of the writer’s experiences, but what can we do? We’re all human and apart from the most obnoxious egotists we are all prone to it, being part of the human composition.

Let us consider not those tendrils curling about your creativity in an effort to stifle your efforts. Instead let us consider those signs pointing out you are doing your level best.

I Really Must Catch Up On Everyone’s Blogs….Sometime, Soon

This one needs addressing promptly because it is the most challenging. You’re reading this  thus you are in the blogosphere. You read them, your write them. You form bonds with other bloggers. You like their posts and you get to ‘chat’ with them, exchange views, support, ask questions and so forth. You might do this on a daily or other regular basis. And then one day you suddenly drop off the radar. Why? Well you know don’t you?

Yes, you are caught up in your writing. The time you have available to ‘tap’ the keyboards have been inexorably taken up with your latest project. It’s not that you don’t care about these folks, got bored with them, or become selfish. Oh no, you have been drawn into your work, deep. There is exploration on plot, motivations, characters to be attended to. Re-writes, checking for typos. You try and snatch some time on WP to let folk know you are there and well, for you know the dear genuine folk will worry if you are not around, it’s that sort of good community. Meanwhile it is back to your work, for this has become the principal attention of your creativity. Within the part of you which is the writer a spark has ignited, one beyond the usual chemistry of writing. You are now in the centre of the  writing equivalent of the nuclear fusion process which brings in birth a star. And here you are. Your writing has ascended and drawn you upwards. Embrace this, the future of your valuable work is calling you.

Hey! How Have You Guys Been? I Missed You!

You finally find the time in your day to sit at your laptop and pick up where you left off. You want to speak with your characters, you’ve been thinking about them all day, wondering how they will react to your latest idea. You want to know if this will work for them. You’ve missed their approach to life or been worrying how they’ve been coping. There are various views about characters taking hold of the narrative from a writer or whether they should be kept under control. Whichever viewpoint you take if you are engaging with your characters to the point, they are not pieces on a gameboard or out of cliché central to move along the Plot Above All Else, then they are alive and they are vibrant. Work with them for sometimes you just have to listen to them.

Are You Feeling OK?

Yes, it can be a bit disconcerting for the person who happens to be in the same room as you. They are sitting there working on some craft project, doing a jig-saw, reading or attending to their own laptop, you are ‘tip-taping away when suddenly from your direction they hear a sibilant ‘Yesssssss!’ and notice one of your fists is clenched and shaking in what can only be described as a gesture of triumph. Then there will be the occasion when odd words spring from your lips such as ‘Alll-right!’ Got—-It!!’ ‘Rock AND Roll!’ or other such random and statements unconnected to the current surroundings. There might even be a gentle laugh followed by ‘Oh yeah. It works,’ or even nothing apart from the laugh.

After a while a patient and astute companion will realise you are simply expressing delight that amongst all of the words you are producing there are some passages which you are particularly enthusiastic about or proud of.

We all have to admit we are plagued by worry over parts of the book and if left to our own devices might be tinkering with the thing for decades. However if you do encounter yourself lapsing into one of these episodes of vocalised joy, you should realise you are certainly on the right track. Those nagging little parts might just well have to be steam rollered over. If you are connecting this way with even one small part of your work you are mining your true potential. Keep on keeping on.

So What? I mean, Like So **** What? You Don’t Like It? This Is Me Not Caring! 

This may be a ‘just me then’ interlude. However I do feel it is worth voicing. There are many useful, cogently constructed and intelligently helpful posts, blogs, even books about what to do and what not to do when writing. I accept this to be so.

However where my teeth start to bare (I picked up the habit from one of my characters Arketre, fierce person when provoked), hackles rise and fists clench in a not happy way is when would be krit-tiks, folk who never wrote anything apart from snark and the literary fashionista start to pick, pry and come up with cliched or lazy commentary which proves they never read the whole thing, or it offends them(Hah!). Where I dig my heels in and snort derision or scratch my head around above my left ear and say ‘yeah, yeah’ is when someone tells me my work is ‘interesting’, but……..

In short, if you have written it, it is yours. You did a damn good job to get it completed and if some part of the world doesn’t like it, or not understand it, you cannot be held responsible for their lack of comprehension.

If you believe your work has the right to be put out there in one form or another. Then, you dear writer are cookin’. Advice is one thing. Guidance is helpful. As for the rest…LIKE I (bad word) CARED!

Might not sell books, but it will ensure you get your book completed.

 

Therefore fellow writer, if you are experiencing one or more of these , you are on your way and more power to you. If you are not, well keep on they will turn up sooner or later.

Keep writing.

The world might well be waiting for you.

Writing Your Book – The Environmental Issue.

Writing Your Book- The Plot Thing

Writing Your Book – Main Characters (You can’t avoid them)

Writing Your Book-A Journey Barefooted and Treading on Glass under a Hot Sun- facing challenges you’d prefer to avoid

Writing Your Book-A Journey Barefooted and Treading on Glass under a Hot Sun- facing challenges you’d prefer to avoid

Whereas this post will be about the problem…ok MY problem… with writing sex episodes, this can also be considered as a parallel journey with other passages which are challenging or uncomfortable for the writer.

So once more, notebooks out for entries in your personal Guides to Writing, under sub-sections  (1) Oh man and I thought I made problems for myself (2). Note: Do not do this. (3) Ah, not just me then.

You don’t have to include sex episodes in a novel, personally I feel they look quite weird in some books, but since there is a great deal of sex going on around the world you cannot say the topic is irrelevant or to say in books suitable for adults there are some it cannot fit (fit?) into. When writing in the fantasy genre a portion of your readership are likely to be muttering…’Aww c’mon. Get on with it. It’s gotta happen!’. My own personal response is ‘Will you guys be patient!’

Now if you have been following this blog on and off you may remember my own surprise in ‘Of Patchwork Warriors’ at Karlyn and Arketre falling for each other in a big way. It took a few re-reads to realise this had been bubbling in the background, and well after being through danger, destruction and facing death more than once, when they’d finally found a patch of peace and quiet, feelings were bound to be made known.

‘Oh great’, said I. ‘Here I am yet again 67 year old male writer in Problem City…This time lesbian love’….’Oh sure’ says some readers ‘Of course it’s all to do with the plot and sub-text…Yeah, right!’

{Perversely I am so glad I self-publish and am terrible at marketing thus limiting my potential readership and having to explain myself to hundreds}.

Whereas part of me was saying, just lead up to a tentative kiss, close the door on them, then just step away for a day or so, another part of me was saying. ‘An’t gonna work old son; these are a pair of intense folk with their whole pack of contradictions and currently unexplained back-issues. You need to see the detail through as part of their journey. Anyway some readers will say…’Ah-cop out!’ if you don’t’

I complained a lot to myself but by now the book itself and the characters were weighing in. They used that sneaky argument. ‘Challenge yourself!’ all I could reply with was ‘But…but…but,’. They laughed and resorted to, I thought, a rather unnecessary and vulgar analogy with the American use of the word.

Fine! I mean you can research stuff for crime novels, or SF, or military, or…But…Oh my!

At this stage panic set in. What if this part of the narrative ended up contrived and forced? Suppose there were incorrect assumption made? Suppose I got into Cliché Central?

Making sure no one was looking over my shoulder I tentatively perused the ‘Erotica’ section of Amazon, somewhat uneasily selecting sub-genres and so forth. Sampled a few ‘see what’s inside’,s and thought….’Huh! And I was worried about Cliché Central?’ So I checked the reviews (yeh I know not the most reliable source, but what’s a guy to do?). It was then the ‘OK kiddo, we’ve gone this far. It’s download time!’. So checking up on reputation of authors and taking a few more reviews a few 0.99p’s were invested in downloads. I concluded that there was a flourishing market for women writers writing erotica for other women involving women with women. Wow what a relief! Not just adolescent boys and drooling sad men! I’d been overthinking the problem. (Well, be fair it was a reasonable overthink, I mean I’d spent years readings, Heroic Fantasy, history and politics, some things passed me by!)

That sorted. The next issue was, to use the old adage ‘There is a time and place for everything’. Let’s keep this rationed (to the reader I mean, what characters get up to off the page is their business), not prurient because this is a Fantasy-genre novel and let’s give context.

In the first volume, their first intense interlude happened at towards the end of the volume and seemed to introduce a certain element of closure or new horizons. Since this was not ‘just physical’ (OK, so I did listen to Tegan and Sara sometimes when writing, anyway I happen to like Tegan and Sara’s music) there could be sensitivity and romance included. This also allowed me to introduce the slightly roguish element of Arketre’s character as she, in a nice way, seduced Karlyn, who in turn showed another facet of her vulnerable side and in turn there was Arketre’s tender caring side.

Somewhat concerned I released Vol 1 with flag warnings all over the place. Although not flooded with purchases (so what?), not one came back tearing at me for some contrived, male-slavering soft-porn…. Whew!

Vol II. Obviously, this relationship was now set into the narrative. The question was now should the sex episodes continue to be written in? The first answer, well since there had been one in Vol I it followed ignoring them in Vol II might look ‘odd’ as if I’d tip-toed away. I did have some advantages here.

In the first case the two had fallen in love with each other, secondly because they were in the first flush of this relationship, ‘they couldn’t keep their hands off each other’, as the saying goes; this however was not a problem as the fact could be mentioned in asides, reflections and general banter.

Graphic and open description would be restricted to intense situations. I used two episodes both to highlight Arketre’s anxiety  when dealing with The Ethereal / Stommigheid as well as to underline the commitment they had to each other. First: when in a haunted wood just when they were getting snuggly in a tent they were attacked by ‘ghostly creatures’ Karlyn performs a powerful, emotive, exorcism (and sets fire to one), Arketre wants to get out of the wood, ‘like now’. In the dawn’s light Karlyn draws Arketre into back love-making which I tried to illustrate as two people deep in a tenderness of love; erotica with flowers if you like and showing Karlyn as not simply Arketre’s goofy side-kick. Second: the other instance followed an episode where the two had been apart for a very intense ten or so days and at the first chance Arketre positively pounces on Karlyn which is briefly described and to make way for a bit of mischief along the lines ‘Oh we were just exercising’ feeble excuse when Trelli walks in just as they have got decent. She turns this around gently teasing them later on; this also demonstrated Trelli was no longer in awe of the pair and was not the shy retiring prissy flower some may have assumed she was.

And Trelli?

I have to blame Arketre here. Being a soldier with a series of encounters to her name she was quite insistent that Trelli have her own ‘fun’ time too, after all she’d earned, it yeh? (Characters can be so pushy not just with their own parts either).

Wigran, the cause of her abilities, was out of the mix. Trelli was still angry with him, by now he was involved with another and also still a bit scared of Trelli. The poor girl was not getting much chance to hang around with men for long term relationship. What did develop was when Trelli was re-united with Arketre and Karlyn in a new place; she encountered Lord Osavus the son of a Grand Duke. Now I admit to writing in a sudden mutual attraction and ‘sparks’. There again this was taking place in a land close to war, folks emotions were heightened; Trelli was becoming more her own girl, to this young fellow she not only appeared exotic, but much than a ‘silly young thing’. He was being ‘gah-lant and respectful to her and she did like this sort of attention. The dynamic was I admit old fashioned; she in his strong manly arms, welcoming his embrace, her first experience of men, he being a measure reverential and considerate to her entranced by this mysterious woman with ‘powers’. But after all she has been through Trelli deserved a ‘nice’ time (Arketre insisted)

This interlude allowed more character development and insights. Arketre encouraging Trelli (Arketre does carry a contraceptive mix around with her for others and as a dark reminder of one consequence which can happen out rape); Karlyn being quite hostile to Osavus in her protective side of Trelli and suspicion of men’s motives with women. Interludes between any combination any combination of the four providing more depth while taking care to ensure these weaved into the ongoing main narrative.

On reflection when working the re-write and re-reading this post I have realised in taking on this challenge and settling it into the narrative allowed for more opportunities to explore the characters and their relationships to each other. These having ramifications upon other episodes within the tale.

Here therefore is something to bear in mind when quivering on the edge of a challenge or for an uncomfortable part of the narrative. Keep calm. Keep mature. You never know what else will open up.

Keep on writing folks.

Writing Your Book – The Environmental Issue.

Writing Your Book- The Plot Thing

Writing Your Book – Main Characters (You can’t avoid them)

Writing Your Book – Main Characters (You can’t avoid them)

Characters eh?

 

I swear by the blade of Dark Agnes and the pen Robert E Howard I cannot explain why the creative process of writing within me always leads to the principal characters being women. Particularly as it causes some much initial bother.

As a male to mention I find it easier to write women as principal characters in a Fantasy setting and some folk think ‘Uh-huh male in his late 60s writing about fantasy girls…yeh got it!’.

So part-time psychiatrists and psychologists form an orderly Q. Tea and biscuits will be served while you are waiting.

Now it’s no use citing other male authors who do this either in Fantasy or SF for a few commentators are bound to say ‘Yes but the characters are sssso stereo-typical’ or ‘Oh another alpha-female’ (this is often quoted by males who are secretly scared of girls and also are wont take tape measures with them on visits to the bathroom)

The whole business if fraught with difficulties. By happenstance since my work is only destined to be self-published and not as a source of income, therein lies my freedom to continue as my writing muse leads me.

Which is, truth be known, of small comfort.

So let us, dear reader, travel down one writer’s path, signposted ‘Problem With Principal Characters’ and see if by the spirits of The Parallel you can relate with your own problems getting the folk to fit into the narrative.

The first problem most authors meets is they are usually not in the same mould as the character. In my case this would be fairly flash-light- in- one’s- face- obvious, ie how does a male writer relate to a female character? Well in my case having been married to the same gal for 45 years, having two daughters and one granddaughter in her twenties is of some help; having worked in an office environment for 40+ years where the majority of staff were women was another plus. This however does not the answer to all the issues, maybe 15%’s worth in that there as many types of women as there are men, and that surprisingly women and men are different, physically and in perspectives. This as far as I dare go without being lynched (allegorically). So characters might not think as you do, you have to work outside of your own head, imaginations, experience and contemplation on the subject are necessary.

Next problem, when confronting the issue of gender-specific (sorry I’ve been itching to use that phrase, I’m sure I don’t know why) fantasy-genre figures (as opposed to ahem…fantasy figures; heck this post is tougher than was first envisaged!). Now unless we are dealing with the area of comic book novels let us try to avoid the warrior woman who for some reason finds it easier to fight in a costume more suitable to the beach or as underwear; I mean do you know any women who walk about snowy mountains in bikinis or underwear…Uh? So, girls wear clothes, and since I’m setting this in northern climes heavy duty clothes. Why are clothes important in a novel’s narrative, because they in part define the characters.

Yes ‘Characters’. Despite what was written earlier, falling into stereo-types is something to be wary of, we all do it, when it a hurry, or making a point, or…(fill in the blanks). My own solution was to bring in three central characters, each with their own jumble of features. (As I see it, we are all a ‘jumble’ of gifts, flaws, quirks, sensitivities, strengths etc). This avoided the danger of a narrative of many parts ending up revolving around one character. It also allowed me to have characters engage with each on level terms, wherein one could be ‘up’, one ‘down’ and one in the middle, or any permutation, but not always the same ones in the same order.

This is how they panned out in order of introduction:

Karlyn Nahtinee. The standard trope in Fantasy would be the mischievous acrobatic thief who has a heart of gold, a cheeky sense of humour and is a bane to authority. Karlyn’s propensity to set fire to places or folk she thought were ‘evil’ wiped out some of the trope. The principal danger though was for folk to read a few lines and yell… ‘Ha Harley Quinn!!’ or ‘Chiana-Farscape!’. Mindful of this meant a great deal of effort trying work with Karlyn to ensure she did not do things these two would do while still retaining her skewed sometimes comic viewpoint. Bringing a vague back-story that her ancestry might not be all human, explained her ability to ‘talk’ with trees, various animals, birds, insects; smell things which can’t be smelt and walk between worlds. This would evolve with in her a general air of confusion and irritation at the way others see the world. She starts a new career as the assistant to an unconventional Custodian (think inquisitor) Even so the cloud of Harley Quinn still hovers. In a way it’s good, made me concentrate. She still develops, sometimes she shifts in character to a more regal type indicating her possible heritage.

Arketre Beritt: The standard trope; woman soldier/warrior. Women soldiers in Fantasy aside from sometimes being alpha-leaders tend to be hard folk, short on humour, often taller than average and either voluptuous or plain and everyone reading the book is waiting for the ‘right man’ to come along. Arketre was thus shorter than average, pretty, the equivalent of a ‘medic’ with apparently a tender heart, but able to stand up for herself. In short, in common parlance she started out as ‘a grunt’. Initially a counterpoint to some of Karlyn’s more acerbic characteristics, but as time goes on some military truths come out. She is part of an elite organisation The LifeGuard a cross between special forces and secret police like they had an ethical streak.  As a solider she complains about the equipment, she moans about officers, she dislikes being left without orders when she has responsibility. She sometimes kills in a rather unsettlingly detached manner. She can suffer from the ‘red mist’. She was content as a ‘medic’ but embraces the role of fighter. She is volatile. She has been made suited to war. But she will not let her friends down. She is ill-at-ease with the power Karlyn and Trelli embrace or come to terms with.

Trelli, aka Trelyvana Waywanderer: The innocent abroad. A once humble housemaid who accidentally ended up with powers and became the focus of a hunt by officialdom in the form of the Arketre’s LifeGuard and Karlyn’s Custodian, which is how all three meet. This type of character can spend their time being terrified, rescued and being the recipient of long involved explanations. Yes, she was terrified, yes, she was sort of rescued by the other two, but shows an ability to grow up very quickly and have the good sense not to take her powers for granted even to be suspicious of them. She also brings a level of domestic practicality and is therefore a sometime leader of two otherwise very assertive but mule-headed folk. She can reach a ‘enough is enough’ stage and speak her mind, forcibly. Somewhere along the developing of her back-story she became an orphaned babe whose parents were of what we would call sub-Saharan Africa. Living in a modest but thriving port town in a sort of European setting fitted in to this origin. Most of the time the colour of her skin simply does not matter. In the environments she encounters it is ability which counts.

The three of them were thus learning to interact, sometimes leader, sometimes being lead, bonding, while stumbling through a web of situations which none of them had much understanding. This enabled more development of quirks, foibles, strengths and general characteristics. Thus by the second book I felt I knew the three of them quite well, although each would surprise me from time to time. Trelli is asserting herself and not to be pushed around by various authorities, Karlyn struggling with her ancestry while Arketre becomes subsumed in the aggressive side of soldiering (and we learn she had been quite the rogue when off duty).

Fantasy wouldn’t be Fantasy without romance which was another problem for me when one involved Karlyn and Arketre. Aside from trying to avoid prurient, set-piece, out of context gratuitous scenes (that’s a whole different post!), there was now the dynamic of not having Trelli as the proverbial third wheel. This was an issue, but gave me a greater opportunity to bring out Trelli’s strengths, level of compassion, friendship and maturity. In addition this gave cause for a sisterly/friendship bond between her and Karlyn; Karlyn confessing she thinks Trelli understands the relationship the ‘the power’ better than Arketre, now Karlyn’s lover.

As the second volume involved a great deal of action, the three were relying on that original bonding dynamic to keep each other and themselves alive (Actually Trelli has her own romantic ‘moments’ which also allowed for some divergence of opinions between Karlyn and Arketre and added depths to their own characters).

Thus by the time this second Volume comes to an end I felt I had three people, who all happened to be women, one of whom had black skin, one of whom might not be quite human, two of whom were involved with ‘powers’, one of whom didn’t like those powers and two of whom developed a lesbian relationship and all three relying on each other to survive.

Two books in it has been quite a journey. Another book is twitching away to start. The challenge, not to repeat the same events of the first two in different places and different times. There will probably be a large scale disturbance of the empire which should present opportunities.

I think I have avoided stock-characters in the three.

But is an author ever certain? Not when they have to read through the narrative again to look out for spelling mistokes, typos, syntax issues etc.

Hope this is of some use to compare and contrast.

Writing Your Book – The Environmental Issue.

Writing Your Book- The Plot Thing

Writing Your Book- The Plot Thing

Plots eh?

Some folk of a particular type of talent can write a books without a particular plot, as a journal of observation and experience of one or more persons. This requires a particular  type of insight, use of imagery and wide knowledge of language and its nuances. I would not attempt this, not in my current state of writing processes anyway.

Back to Plots….

Plots can be straightforward, linear A to C with a detour on B as an optional, or they can be labyrinthian and the inbetweens. At this basic level the type of genre doesn’t impact on the choice. The vital factor is not to lose sight of it. I cannot stress this too strongly, speaking as one who produced three volumes of a comic fantasy in which there were proliferations of episodes, skits and interludes against which could be heard the faint cries of the plot not to be forgotten. Eventually it gave up and went to seek rest. Then when I attempted to write Volume IV as a multi-faceted account of the various factions involved in the world, the plot simply refused to assist telling me I had ignored it previously and would not go through that experience again.

Some folk will plan out their book with a series of stages, the details of which are filled in as the narrative moves towards an already envisaged conclusion. Others have outlines but are willing to move this way and that in the journey. Some of us start out with only the faintest idea, usually along the lines of a few characters and a set of circumstances they have to navigate through, making the rest up as we go along. Then there are all the permutations on these three. Let it be so.

Plots can also be chaotic and there is a valid case for this. If you consider Life and those incidents both large and small which are ‘historic’ or ‘memorable’ you will find a great deal of the unexpected happening and those involved having to improvise, or sometimes just spin out of control under the pressure of the situation.

As evidence I cite this quote:

(No I don’t know why the font size changed WP being quirky again)

“Gentlemen do not be daunted if chaos reigns; it undoubtedly will.” said Brigadier S. James Hill, commanding officer of the British 3rd Parachute Brigade, in an address to his troops shortly before the launching of Operation Overlord—the D-Day invasion of Normandy. This proved to be prophetic.

Therefore the situation can be the plot; think of all good disaster movies (OK I know putting out a lava flow with fire hoses in ‘Volcano was’ stretching it a bit; still a good movie though). Folk thrown in at the deep end.

Since my life seemed to be based on improvisation this is where I tend to go when writing. Thus in my latest the central characters are not alpha-leaders, they take orders, they improvise (there’s that word again) and they ignore orders. The foes are not the deadly dull Perfect Plan Percy/Petunia who sit about god-like until the last chapter where due to some supreme effort they are foiled. As history shows many is the ‘great’ organisation which has floundered on its own arrogance. In this book no one is in complete control, some may have a temporary advantage but the signs are there this is only conditional.

(Annnddd changed again!)

So let there be a plot but it does not have to be tight or linear (again the word). A plot can be ‘How we survived. It is enough. And therein you can give your characters room to grow and interact. Work as you will, with whatever you are most comfortable with. This is where growth starts.

 

The Return of The Wayward Writer

Writing Your Book – The Environmental Issue.

 

Writing Your Book – The Environmental Issue.

Choosing your ground

 

If you are reading this, then there is quite a good chance you have an urge to or are already writing in one form or another.  You may be just starting out, you may have been writing for some time, or you be thinking about writing and are working through several blogs getting an idea as to the commitment involved.

This post and subsequent ones will be about some of the issues involved, the platform used will be my latest project ‘Our Skirmishers of Lace, Steel and Fire,’ I will be trying to avoid:

Preaching for this to be the ‘true and only way’ to write

This being a marketing feature.

These posts are one writer’s experiences, you can take notes, compare or resolve to do the opposite. Whatever. As long as you are writing or starting to write.

Thus said;

A daunting aspect of writing is starting off. Most folk will go through an episode of staring at a blank paper or screen. All the words which were tumbling around in their head have either evaporated and lie condensed in the sub-conscious or are blocked up somewhere along the creative channel. The poor writer in a creative panic, thinking, whispering or muttering: ‘Where do I start?’

Nothing unusual there.

A writer might have a plot line but still can’t get the details onto ‘paper’. If you are on a laptop, by the way and are listening to music do not be tempted to go onto YouTube to watch the music ‘live’; more chapters, ideas and writing time are lost that way than through state censorship.

One way to ease in is to have your backdrop, environment and underlying themes set out as a motivation. Let me elaborate here using myself as a laboratory specimen.

As the years go on, I find myself becoming increasingly picky about subject matter. The moment the words ‘serial killer’ crop or ‘conspiracy at highest levels’ crop up, I am off and away. The former repel me, the latter I have had my fill of. There you go; my choice. Also, after reading so much political and military history there is a tendency for me to go for happy or at least equitable endings.

After reading a great deal a writer (or writer in situ) will have a sneaking whisper in their head ‘Yeh, fine, but I think I could do better’; nothing wrong with that just so long as you keep the feeling under control and don’t publicly savage all writers rather than write.

A writer may also feel they have a voice and just want it to be heard/read.

Putting those aspects all into my head and mixing them up this is the universe which began to form, the one most comfortable for me to write in. In this instance ‘comfortable’ does not mean cosy or easy, the usage refers to the most productive way the words come out.

In my case. Firstly being a Calvin (Calvin & Hobbes) type-dreamer I am hopeless at writing about the normal world. I am at my ease when writing fantasy for being incurably impatient researching science to create a credible SF background would just not work for me. Give me a place where laws of physics and chemistry are working which have not yet been uncovered or fully realised. But may I stick with some of continuity!

My familiarity geographically is with northern Europe, as this book is set in another time after monumental events this gives me some leeway to juggle about with peoples, places and locations. Thus, a great deal is given up to the readers imagination.

As stated above since everything is geared towards a certain type of ending it is easier to move along while creating ‘bumps’ in the road, in fact flooding out the road on occasions, or putting in a divert.

My own interests have always been in matters military, my work experience has been in the UK civil service thus I approach neither subject with a rigidity or clichés. The principal characters are also the ones at the bottom rungs, so they are focused or trying to carry or survive orders.

I like romance as a feature of a story. Setting this in a narrative is not a problem, avoiding the cliched predictable, highly unrealistic settings, interactions and terrible descriptions are! ( more about that later…later I said!)

Evil does not triumph in my books. Evil has one hell of a (‘hell of a’!..you gotta laugh folks, I got dozens like that!) time in my worlds, in fact my challenge is having the thing hang around enough to create a feasible contest. The main methods of destruction and unhappiness in my worlds are. (A) The well-meaning authoritarians who think they know best (B) The folks whose plans are not very good (C) The opportunists waiting for the ‘main’ chance (D) The thoughtless idiot (E) The unforeseen collision of plans.

I personally cannot write very long without some sort of humour creeping it. This may take the form of a satirical comment on today or some of the lazier troupes of Fantasy writing. It can be bawdy or downright slapstick. It may be knockabout verbal. Being a male as we never grow up it could be very, very juvenile. Since all these happen in Life anyhow, I have no problems with putting any of them into the narrative.

And finally, tying in with the ‘evil’ thing as those who have read my posts know I have no tolerance level for cruelty, bigotry, and violence on the weak, so I work out a few ‘issues’ without being too obvious and straining the narrative.

The above are therefore my ways of giving myself a setting I can work with, to enable me to concentrate upon plot and characters. Some of the facets I have listed in fact encourage me to get on with the work, because I do so want to write about them; the problem being not to rush into these or keep repeating unless there might be good cause (a really valid ‘might’). Thus, there is my environment to work within.

If you take a ‘Living World’ analogy it can be seen there are many environments in which Life flourishes. Therefore, what is my favoured environment, might well be another’s arid desert, frozen tundra, crushing sea bottom depths or any other comparison you might care to make which will stifle your creativity. The important facet being you create your own in which your own flora and fauna of a book may flourish.

Keep on keeping.

The Return of The Wayward Writer