The Precipice Dominions- One Writer’s Journey

At the commencement ….keeping it simple.

Any time you see ‘The Precipice Dominions’.

For anyone who is new to my blog……All about my series of Fantasy novels and the misadventures in getting to where I am now….Not just in the writing thereof, but also the gremlins in Word Press, The Publishing ‘Thing’, The Marketing ‘Thing’ and so on

At the foot of this post are links to previous posts which are about this journey. There is some repetition, mostly because I am inclined to explore a subject from several angles or styles.

This series of posts also arose from the need to keep the experiences and ideas from the first two volumes fresh thus enabling a reasonably smooth transition into Vol III, which as usual does not have a plot, nor plan of a plot or anything like. One day we arrived at some location in the world of these books (usually the empire of The Oakhostian, which is sort of based on Europe, in a geographical sense, that is), something is happens; the main characters are going about their more mundane businesses and away we go; several drafts and re-writes later and something will arise….actually I have an ending; it’s the rest of the book needs work.

And I am content in this world of the books, here I visit, ponder of what might be happening, footle around with my own cover designs (just in case- must have back up plan).

The subsequent posts with be about such topics as World Building (most important in Fantasy & SF), Balancing Plot with Character development, Continuity, Rational & Rationales, Politics, Religion (you can discuss both of these from a Fantasy novel perspective without getting into fearsome arguments- well most of the time), Societies, Violence, Humour and others I’ve not thought of yet.

That’s about it for the present. Just one writer’s journey.

A Lesson Truly Learned (Learnt….whatever)

Risks and Things When Raising a Profile

Travelogue or Monologue. Something of Both

Stereotyping. Did I? or…. Did I now?….Or….No that’s Not What I Meant…Or…Oh Heck I Wish I’d Never Started This…

Writing Your Book- When The Feeling Arrives- Embrace it!

Writing Your Book-A Journey Barefooted and Treading on Glass under a Hot Sun- facing challenges you’d prefer to avoid

Writing Your Book – Main Characters (You can’t avoid them)

 

Advertisements

Stereotyping. Did I? or…. Did I now?….Or….No that’s Not What I Meant…Or…Oh Heck I Wish I’d Never Started This…

Introduction

Currently, mostly for better, sometimes for worse, we have more opportunity for self-expression. The ‘worse’ aspect is the amount of filth, hatred, lies and self-righteous indignation being spouted out on social media displaying hideous levels of ignorance, even by those who claim to espouse enlightened views. Give me a regular bigot over an intolerant liberal any day at least with the former you can get straight down to the argument and not have to wade through distractions on the grounds of alleged ethics, contradictory bombast, fashionable buzz-words, and painfully obvious self-righteous indignation. With free expression should come responsibility….a word these days which it seems should only be applied to others.

Anyway as usual I have digressed, but only slightly, sort of. Because this post does walk hesitantly on the borderlines between the justifiable, the questionable, the excessive and the downright hypocritical.

Trouble with those borders, they are prone to shifting, as do the myriads of factors which make up the weather. And like the weather too much of one sort can be harmful to our survival, although in this case the survival would be artistic.

Currently as the fourth paragraph takes shape I am wondering whether I am in the process of producing an erudite opening statement or simple procrastinating. Ah me, thusways without anymore endeavours at rhetoric time to step in.

 

A Walk Through The Minefields of Writing Fiction.

Gender. Race. Religion. Politics. Social Groupings. Humour. Violence. Sex (didn’t want to disappoint some of the readership there).

Any of those by themselves contain enough combustible material to illuminate a social media site to nova proportions, even when the hapless author was writing with the very best of intentions. Here and now we may as well ALL admit it; we all contain a capacity to be not just be offended but to seek out reasons to be offended. If you have yours under control and just rage at the most obvious injustices, bigotry and hate then I salute your maturity; otherwise, c’mon guys, you and me know the guilty secret, we all get a kick out of it.

Meanwhile for the innocent and well-meaning fiction writer there is a charge which will get levelled at you straight away.

The charge will be because you are not one of the ‘whoever/whatever’ you are writing about you are stereotyping. As with most reasonable criticisms there is an element of truth buried deep within. AND to be fair this is something the writer has to grapple with. HOWEVER when taken to excess this would limit me to writing about retired married Caucasian males in their late 60s resident in the North East of Wales (UK). I hasten to add there is probably a wealth of material in such a theme and some very good books could arise….But not from me. I write Fantasy Fiction and am wont to throw lots of elements into the mix, for me writing anything else would be, to say the least…not very good, and meandering.

This initial accusation can give birth to portrayals being ‘demeaning’ ‘offensive’ or ‘typical view from a….’ (fill in the character-type and then the ‘type’ of the writer, you’ll get the idea).

Should the writer be trying to avoid this and miss a step they can be accused of ‘pandering’ by creating an ‘alpha’ or ‘saintly’ or ‘magician’ or ‘too perfect’ Annnnddd if they try and balance they risk getting slammed from both sides.

I tell ya folks…

You.

Just.

Can’t.

Win.

You can’t please everybody and since you are an ordinary human being, whereas you might get a hundred ‘likes’ and ‘favourables’ those three or four ‘dislikes’ ‘angrys’ and ‘kritiks’ (sic) will really sting you off of your game.

Like most good causes, subjects which started off with nobles aims and clear projections get side-tracks and distortions added in because of The Human Factor in its multitude of forms.

Somebody somewhere will not like something you have written on some sort of grounds other than your style of writing.

 

Down in The Shelter Prior to Starting.

OK, you and I are probably never going to create works whose portrayals will be argued over in the columns of prestigious newspaper or causing massive flurries through the Social Media-verse. And yet, fragile creatures that most writers are, being aware of these controversies can hamper, stifle and even frighten a writer into not producing their very best.

So what are we going to do about it? I say ‘we’ because I am proud of the struggling writers who finally get into print, ok maybe the genre is not for me, but heck they have got there, and for me that is a victory for us all.

 

(Pause fer thought: Here’s an example of the problem I am writing about. Look at me using military phrases ‘minefield’; ‘shelter’ ‘victory’. I am willing to bet if this was a popular blog someone somewhere would object to at least one of those words, for some reason or another…..I could write the objections myself…and that’s before we get onto those angry at ‘the theme’ )

 

Back to the ‘We’ and the ‘What’.

Remember, unless you are going to try and write about you own group which when you take into account age, gender, social grouping, race, religion (or not) etc, etc is going to be narrow (ish), you will always be writing outside of your comfort zone and will likely to be making assumptions or be seen to be trying ‘so hard’ not to be so. Accept you will upset someone, somewhere, sometime. The important aspect is try not to antagonise. (unless you are being deliberately provocative, if this is the case you had better have a pretty good balanced ethical reason otherwise I will be in the kicking line.). Nor patronising by giving the character all the goodies. Therefore just do the best you can…. as simple as that.,

In doing the best you can, try and familiarise yourself with the whosoevers you are writing about. This does not mean you ostentatiously try and hang out with them and ask stupid questions like ‘How does it feel to be….’. That is painfully offensive and patronising. There is enough material out there written by folk of the various groupings (and don’t forget those groups do cross-pollinate) for you to get a general idea to break down your own assumptions.

When breaking down your own assumptions try not to shoe-horn a type of character in, just because you want to prove you can write about ‘that sort of person’ or they ‘look good’ in the narrative. Try that and oh my, you really will be heading for a lot of trouble…..unless of course you are writing something wildly comical and even there can await deadly traps for being offensive and stereotypical. Fit the person in naturally, where you would expect them to be, which truth be known would be a lot of places. You don’t need to force them in.

Once you have eased in a possibly ‘sensitive material’ character (which could in some febrile corners of society could be anyone irrespective of age, race, gender, orientation, beliefs etc, etc) into your narrative then do not try and have them skirting about trying to be perfect, or exceptionally empathetic, witty, brave and all good things (see above ‘goodies’)….OR…fall into another trap of trying too hard not to make them so, so they end up as a spare villain. Give them depth, let their purpose and motivations. Then defend them and their inclusion against all comers outside of the book. They are a person, who happens to be…… (fill in your blanks)

 

No One Gets It Exactly Write (sic) for Everyone, Everytime, Everywhere, Everywhen.

Being plain about it; to reapeat.  Do your best. Meld your characters. Check yourself from time to time to see if they are fitting in naturally to the situation you are writing about. Avoid a preachy style if you can (unless you really don’t care what folk think; it’s your narrative kiddo. What do I know?)

 

Conclusion

Sounds like one of those ‘How To’ pieces yeah?

[Whoever writes those is not going to win either.

If they are famous, many will be the sceptical person who will say ‘Oh fine. That might have worked for you…BUT…..(and then they go off on a tirade)

If they are not famous (let me get my mirror function on this laptop), then folk will say ‘Ha! If that’s the case, how come you are not famous?…..AND….(then they go off on a tirade).]

Just accept folks, if you write, someone is not going to be happy with what you have written. (When you think about, that could be pretty cool because it means you have reached a wide audience…Whooo-hoooo. Embrace it!!)

In the next post I will endeavour to illustrate my own journey and justifications in getting from conception to written…..an act which will have its own pitfalls.

 

On Reaching a Place You Want To Be

Writing.

These days: when you see the word do you think of steep mountains reaching above the clouds, wastelands stretching beyond the horizon or lonely bleak shores lapped by cold seas and stroked by chill forlorn winds?

Before you started out it all seemed to promise much fun, redolent with pleasant spring and summer locations. Of course there would be challenges. Naturally.

And here you are. Weary. Discouraged. All those spring and summer places struck by a cold unforgiving winter.

It happens. It’s not you.

Thus this is another essay addressed to folk who feel they are getting nowhere with their writing. Here I will add my regular rider. This blog is the last place you should be if you want to seek advice on being published or making your work well-known. This writer is hopeless (and hapless) at such things. Here is where we talk and write about the basics which allows you get reach such the fortunate situation where you have to plan for publishing and readerships.

For the new writer a season’s worth of effort will lead them to the inevitable associations with:

Frustration at thoughts not forming into words

Refusal of plots or characters to behave

A sudden drought of inspiration

The misery of believing whatever they are writing will never be as good as…..

The horror of reading the first draft back to themselves. With typos, syntax, holes in plots and failures in continuity all combining with malicious glee to assail the confidence.

Problems with staying power and not drifting off to look at YouTube.

And those are only the first tranche of challenges.

Small wonder there is many of promising First Draft lying in a draft, gathering whatever. Or even worse is tragically out of disillusionment lost to a shredder or fire.

Been there, lived there, ached there, drunk bitter wines of envy too.

And yet, despite it all…

Just for this interlude, I am in a Happy Place.

Now those of you experienced in writing will be think ‘Shush…don’t.. .Not out loud’ Yes, I appreciate I am just begging for The Writing Muse to empty something allegorically unpleasant all over me and from a great height too. And I don’t blame other fellow writers in the weeks ahead to be saying, when things go wrong ‘You had that coming. Damn fool thing to say! You should know by now,’

Of course you are right, however this interlude of writer’s joy cannot be helped.

Two books in a series completed just the way I wanted them to be (let’s just not talk about typos write (sic) now). All is needed are the covers, which are in process and not in my hands this time.

Finally the narratives came together smoothly, the main and the principal support characters are satisfied with my interpretations, everything which needed to be put in is there. You can read one book and finish there, you could read the two books and be satisfied everything has ended there as far as you are concerned….never mind the other two which are in the metaphysical pipeline.

Yeah…yeah…never mind the typos already!…(Anyway Grammarly and Word are often not in agreement)

Uh?

Oh yes, sorry, I forget some of you might not have read earlier posts.

These are fantasy novels y’see. Mash-ups of humour, romance, war, crime, traditional fantasy ‘stuff’, politics, bits of observations, smidges of satire. Lots of characters weaving in and out. Heroes, of course. About 3 to 4 years in the making (with a back story of 30 years of terrible mistakes). Write, re-write, re-re-write etc. Launch, re-launch.

There is a very high probability these works will not even cause the least of ripples on the horizon. There is an even higher chance of obscurity. These are chances every writer with a minimal profile has to accept could be their fate. And I have written often that unless you are hoping to make a living out of writing this does not matter.Just a Smidge

What does matter is these books are together and they have turned out in a very satisfactory way, for me anyway, my own series

The Precipices Dominions

Volume I – Of Patchwork Warriors. On Kindle; edited twice and now ‘Revised’ . Just waiting for a cover.

Volume II – Our Skirmishers of Steel, Fire and Lace. Waiting for a cover, and then ‘launch’

Volume III-To be started- Working Title : Adjudicators from The Mists

Volume IV- To be pondered on- Anchoring Title for the thoughts: Saviours in Blessed Oblivion (it’s meant to be very opaque)

And Game of Thrones; Brandon Sanderson, Joe Abercrombie to reference a few….these an’t. That is all I should say- we shouldn’t give out spoilers.

The reason for this post is the moral, therein.

Follow your initial nascent spark. Never give up. Keep on writing and re-writing. Let no one suggest to you otherwise. Never expect fame nor fortune, even those small sorts where your followers/readers number; say 750 and you make enough to buy (ooooh I don’t know; a new laptop?). Just write, write for its own sake, write for your soul and your heart’s sake. Rise up onwards, create and set sail your craft. It is enough for you to have there, in a public domain a finished work which you can point to and say ‘This is mine,’

And if someone should say, one day:

Well, one of the many things which kept me going, was this series of blog posts about writing by this guy Woebegone- wonder whatever became of him?’

That would suit me fine.

Writing Your Book- When The Feeling Arrives- Embrace it!

Firstly to the new writer, just starting out.

Yes, you’ve made progress on your work, but suddenly you are assailed by a whispering dread. ’Is it worth all this time and effort? What happens if someone reads it and doesn’t like it?’

If those sly words haven’t reached you yet, they will.

Follow me as I turn to writers of some experience, not all of it good.

Hi folks. I have a new writer here who I’ve scared a bit about the ‘D’ word. Yes, I agree with you, would that ‘doubt’ were banished from the lexicon of the writer’s experiences, but what can we do? We’re all human and apart from the most obnoxious egotists we are all prone to it, being part of the human composition.

Let us consider not those tendrils curling about your creativity in an effort to stifle your efforts. Instead let us consider those signs pointing out you are doing your level best.

I Really Must Catch Up On Everyone’s Blogs….Sometime, Soon

This one needs addressing promptly because it is the most challenging. You’re reading this  thus you are in the blogosphere. You read them, your write them. You form bonds with other bloggers. You like their posts and you get to ‘chat’ with them, exchange views, support, ask questions and so forth. You might do this on a daily or other regular basis. And then one day you suddenly drop off the radar. Why? Well you know don’t you?

Yes, you are caught up in your writing. The time you have available to ‘tap’ the keyboards have been inexorably taken up with your latest project. It’s not that you don’t care about these folks, got bored with them, or become selfish. Oh no, you have been drawn into your work, deep. There is exploration on plot, motivations, characters to be attended to. Re-writes, checking for typos. You try and snatch some time on WP to let folk know you are there and well, for you know the dear genuine folk will worry if you are not around, it’s that sort of good community. Meanwhile it is back to your work, for this has become the principal attention of your creativity. Within the part of you which is the writer a spark has ignited, one beyond the usual chemistry of writing. You are now in the centre of the  writing equivalent of the nuclear fusion process which brings in birth a star. And here you are. Your writing has ascended and drawn you upwards. Embrace this, the future of your valuable work is calling you.

Hey! How Have You Guys Been? I Missed You!

You finally find the time in your day to sit at your laptop and pick up where you left off. You want to speak with your characters, you’ve been thinking about them all day, wondering how they will react to your latest idea. You want to know if this will work for them. You’ve missed their approach to life or been worrying how they’ve been coping. There are various views about characters taking hold of the narrative from a writer or whether they should be kept under control. Whichever viewpoint you take if you are engaging with your characters to the point, they are not pieces on a gameboard or out of cliché central to move along the Plot Above All Else, then they are alive and they are vibrant. Work with them for sometimes you just have to listen to them.

Are You Feeling OK?

Yes, it can be a bit disconcerting for the person who happens to be in the same room as you. They are sitting there working on some craft project, doing a jig-saw, reading or attending to their own laptop, you are ‘tip-taping away when suddenly from your direction they hear a sibilant ‘Yesssssss!’ and notice one of your fists is clenched and shaking in what can only be described as a gesture of triumph. Then there will be the occasion when odd words spring from your lips such as ‘Alll-right!’ Got—-It!!’ ‘Rock AND Roll!’ or other such random and statements unconnected to the current surroundings. There might even be a gentle laugh followed by ‘Oh yeah. It works,’ or even nothing apart from the laugh.

After a while a patient and astute companion will realise you are simply expressing delight that amongst all of the words you are producing there are some passages which you are particularly enthusiastic about or proud of.

We all have to admit we are plagued by worry over parts of the book and if left to our own devices might be tinkering with the thing for decades. However if you do encounter yourself lapsing into one of these episodes of vocalised joy, you should realise you are certainly on the right track. Those nagging little parts might just well have to be steam rollered over. If you are connecting this way with even one small part of your work you are mining your true potential. Keep on keeping on.

So What? I mean, Like So **** What? You Don’t Like It? This Is Me Not Caring! 

This may be a ‘just me then’ interlude. However I do feel it is worth voicing. There are many useful, cogently constructed and intelligently helpful posts, blogs, even books about what to do and what not to do when writing. I accept this to be so.

However where my teeth start to bare (I picked up the habit from one of my characters Arketre, fierce person when provoked), hackles rise and fists clench in a not happy way is when would be krit-tiks, folk who never wrote anything apart from snark and the literary fashionista start to pick, pry and come up with cliched or lazy commentary which proves they never read the whole thing, or it offends them(Hah!). Where I dig my heels in and snort derision or scratch my head around above my left ear and say ‘yeah, yeah’ is when someone tells me my work is ‘interesting’, but……..

In short, if you have written it, it is yours. You did a damn good job to get it completed and if some part of the world doesn’t like it, or not understand it, you cannot be held responsible for their lack of comprehension.

If you believe your work has the right to be put out there in one form or another. Then, you dear writer are cookin’. Advice is one thing. Guidance is helpful. As for the rest…LIKE I (bad word) CARED!

Might not sell books, but it will ensure you get your book completed.

 

Therefore fellow writer, if you are experiencing one or more of these , you are on your way and more power to you. If you are not, well keep on they will turn up sooner or later.

Keep writing.

The world might well be waiting for you.

Writing Your Book – The Environmental Issue.

Writing Your Book- The Plot Thing

Writing Your Book – Main Characters (You can’t avoid them)

Writing Your Book-A Journey Barefooted and Treading on Glass under a Hot Sun- facing challenges you’d prefer to avoid

Writing Your Book-A Journey Barefooted and Treading on Glass under a Hot Sun- facing challenges you’d prefer to avoid

Whereas this post will be about the problem…ok MY problem… with writing sex episodes, this can also be considered as a parallel journey with other passages which are challenging or uncomfortable for the writer.

So once more, notebooks out for entries in your personal Guides to Writing, under sub-sections  (1) Oh man and I thought I made problems for myself (2). Note: Do not do this. (3) Ah, not just me then.

You don’t have to include sex episodes in a novel, personally I feel they look quite weird in some books, but since there is a great deal of sex going on around the world you cannot say the topic is irrelevant or to say in books suitable for adults there are some it cannot fit (fit?) into. When writing in the fantasy genre a portion of your readership are likely to be muttering…’Aww c’mon. Get on with it. It’s gotta happen!’. My own personal response is ‘Will you guys be patient!’

Now if you have been following this blog on and off you may remember my own surprise in ‘Of Patchwork Warriors’ at Karlyn and Arketre falling for each other in a big way. It took a few re-reads to realise this had been bubbling in the background, and well after being through danger, destruction and facing death more than once, when they’d finally found a patch of peace and quiet, feelings were bound to be made known.

‘Oh great’, said I. ‘Here I am yet again 67 year old male writer in Problem City…This time lesbian love’….’Oh sure’ says some readers ‘Of course it’s all to do with the plot and sub-text…Yeah, right!’

{Perversely I am so glad I self-publish and am terrible at marketing thus limiting my potential readership and having to explain myself to hundreds}.

Whereas part of me was saying, just lead up to a tentative kiss, close the door on them, then just step away for a day or so, another part of me was saying. ‘An’t gonna work old son; these are a pair of intense folk with their whole pack of contradictions and currently unexplained back-issues. You need to see the detail through as part of their journey. Anyway some readers will say…’Ah-cop out!’ if you don’t’

I complained a lot to myself but by now the book itself and the characters were weighing in. They used that sneaky argument. ‘Challenge yourself!’ all I could reply with was ‘But…but…but,’. They laughed and resorted to, I thought, a rather unnecessary and vulgar analogy with the American use of the word.

Fine! I mean you can research stuff for crime novels, or SF, or military, or…But…Oh my!

At this stage panic set in. What if this part of the narrative ended up contrived and forced? Suppose there were incorrect assumption made? Suppose I got into Cliché Central?

Making sure no one was looking over my shoulder I tentatively perused the ‘Erotica’ section of Amazon, somewhat uneasily selecting sub-genres and so forth. Sampled a few ‘see what’s inside’,s and thought….’Huh! And I was worried about Cliché Central?’ So I checked the reviews (yeh I know not the most reliable source, but what’s a guy to do?). It was then the ‘OK kiddo, we’ve gone this far. It’s download time!’. So checking up on reputation of authors and taking a few more reviews a few 0.99p’s were invested in downloads. I concluded that there was a flourishing market for women writers writing erotica for other women involving women with women. Wow what a relief! Not just adolescent boys and drooling sad men! I’d been overthinking the problem. (Well, be fair it was a reasonable overthink, I mean I’d spent years readings, Heroic Fantasy, history and politics, some things passed me by!)

That sorted. The next issue was, to use the old adage ‘There is a time and place for everything’. Let’s keep this rationed (to the reader I mean, what characters get up to off the page is their business), not prurient because this is a Fantasy-genre novel and let’s give context.

In the first volume, their first intense interlude happened at towards the end of the volume and seemed to introduce a certain element of closure or new horizons. Since this was not ‘just physical’ (OK, so I did listen to Tegan and Sara sometimes when writing, anyway I happen to like Tegan and Sara’s music) there could be sensitivity and romance included. This also allowed me to introduce the slightly roguish element of Arketre’s character as she, in a nice way, seduced Karlyn, who in turn showed another facet of her vulnerable side and in turn there was Arketre’s tender caring side.

Somewhat concerned I released Vol 1 with flag warnings all over the place. Although not flooded with purchases (so what?), not one came back tearing at me for some contrived, male-slavering soft-porn…. Whew!

Vol II. Obviously, this relationship was now set into the narrative. The question was now should the sex episodes continue to be written in? The first answer, well since there had been one in Vol I it followed ignoring them in Vol II might look ‘odd’ as if I’d tip-toed away. I did have some advantages here.

In the first case the two had fallen in love with each other, secondly because they were in the first flush of this relationship, ‘they couldn’t keep their hands off each other’, as the saying goes; this however was not a problem as the fact could be mentioned in asides, reflections and general banter.

Graphic and open description would be restricted to intense situations. I used two episodes both to highlight Arketre’s anxiety  when dealing with The Ethereal / Stommigheid as well as to underline the commitment they had to each other. First: when in a haunted wood just when they were getting snuggly in a tent they were attacked by ‘ghostly creatures’ Karlyn performs a powerful, emotive, exorcism (and sets fire to one), Arketre wants to get out of the wood, ‘like now’. In the dawn’s light Karlyn draws Arketre into back love-making which I tried to illustrate as two people deep in a tenderness of love; erotica with flowers if you like and showing Karlyn as not simply Arketre’s goofy side-kick. Second: the other instance followed an episode where the two had been apart for a very intense ten or so days and at the first chance Arketre positively pounces on Karlyn which is briefly described and to make way for a bit of mischief along the lines ‘Oh we were just exercising’ feeble excuse when Trelli walks in just as they have got decent. She turns this around gently teasing them later on; this also demonstrated Trelli was no longer in awe of the pair and was not the shy retiring prissy flower some may have assumed she was.

And Trelli?

I have to blame Arketre here. Being a soldier with a series of encounters to her name she was quite insistent that Trelli have her own ‘fun’ time too, after all she’d earned, it yeh? (Characters can be so pushy not just with their own parts either).

Wigran, the cause of her abilities, was out of the mix. Trelli was still angry with him, by now he was involved with another and also still a bit scared of Trelli. The poor girl was not getting much chance to hang around with men for long term relationship. What did develop was when Trelli was re-united with Arketre and Karlyn in a new place; she encountered Lord Osavus the son of a Grand Duke. Now I admit to writing in a sudden mutual attraction and ‘sparks’. There again this was taking place in a land close to war, folks emotions were heightened; Trelli was becoming more her own girl, to this young fellow she not only appeared exotic, but much than a ‘silly young thing’. He was being ‘gah-lant and respectful to her and she did like this sort of attention. The dynamic was I admit old fashioned; she in his strong manly arms, welcoming his embrace, her first experience of men, he being a measure reverential and considerate to her entranced by this mysterious woman with ‘powers’. But after all she has been through Trelli deserved a ‘nice’ time (Arketre insisted)

This interlude allowed more character development and insights. Arketre encouraging Trelli (Arketre does carry a contraceptive mix around with her for others and as a dark reminder of one consequence which can happen out rape); Karlyn being quite hostile to Osavus in her protective side of Trelli and suspicion of men’s motives with women. Interludes between any combination any combination of the four providing more depth while taking care to ensure these weaved into the ongoing main narrative.

On reflection when working the re-write and re-reading this post I have realised in taking on this challenge and settling it into the narrative allowed for more opportunities to explore the characters and their relationships to each other. These having ramifications upon other episodes within the tale.

Here therefore is something to bear in mind when quivering on the edge of a challenge or for an uncomfortable part of the narrative. Keep calm. Keep mature. You never know what else will open up.

Keep on writing folks.

Writing Your Book – The Environmental Issue.

Writing Your Book- The Plot Thing

Writing Your Book – Main Characters (You can’t avoid them)

Writing Your Book- The Plot Thing

Plots eh?

Some folk of a particular type of talent can write a books without a particular plot, as a journal of observation and experience of one or more persons. This requires a particular  type of insight, use of imagery and wide knowledge of language and its nuances. I would not attempt this, not in my current state of writing processes anyway.

Back to Plots….

Plots can be straightforward, linear A to C with a detour on B as an optional, or they can be labyrinthian and the inbetweens. At this basic level the type of genre doesn’t impact on the choice. The vital factor is not to lose sight of it. I cannot stress this too strongly, speaking as one who produced three volumes of a comic fantasy in which there were proliferations of episodes, skits and interludes against which could be heard the faint cries of the plot not to be forgotten. Eventually it gave up and went to seek rest. Then when I attempted to write Volume IV as a multi-faceted account of the various factions involved in the world, the plot simply refused to assist telling me I had ignored it previously and would not go through that experience again.

Some folk will plan out their book with a series of stages, the details of which are filled in as the narrative moves towards an already envisaged conclusion. Others have outlines but are willing to move this way and that in the journey. Some of us start out with only the faintest idea, usually along the lines of a few characters and a set of circumstances they have to navigate through, making the rest up as we go along. Then there are all the permutations on these three. Let it be so.

Plots can also be chaotic and there is a valid case for this. If you consider Life and those incidents both large and small which are ‘historic’ or ‘memorable’ you will find a great deal of the unexpected happening and those involved having to improvise, or sometimes just spin out of control under the pressure of the situation.

As evidence I cite this quote:

(No I don’t know why the font size changed WP being quirky again)

“Gentlemen do not be daunted if chaos reigns; it undoubtedly will.” said Brigadier S. James Hill, commanding officer of the British 3rd Parachute Brigade, in an address to his troops shortly before the launching of Operation Overlord—the D-Day invasion of Normandy. This proved to be prophetic.

Therefore the situation can be the plot; think of all good disaster movies (OK I know putting out a lava flow with fire hoses in ‘Volcano was’ stretching it a bit; still a good movie though). Folk thrown in at the deep end.

Since my life seemed to be based on improvisation this is where I tend to go when writing. Thus in my latest the central characters are not alpha-leaders, they take orders, they improvise (there’s that word again) and they ignore orders. The foes are not the deadly dull Perfect Plan Percy/Petunia who sit about god-like until the last chapter where due to some supreme effort they are foiled. As history shows many is the ‘great’ organisation which has floundered on its own arrogance. In this book no one is in complete control, some may have a temporary advantage but the signs are there this is only conditional.

(Annnddd changed again!)

So let there be a plot but it does not have to be tight or linear (again the word). A plot can be ‘How we survived. It is enough. And therein you can give your characters room to grow and interact. Work as you will, with whatever you are most comfortable with. This is where growth starts.

 

The Return of The Wayward Writer

Writing Your Book – The Environmental Issue.

 

Writing Your Book – The Environmental Issue.

Choosing your ground

 

If you are reading this, then there is quite a good chance you have an urge to or are already writing in one form or another.  You may be just starting out, you may have been writing for some time, or you be thinking about writing and are working through several blogs getting an idea as to the commitment involved.

This post and subsequent ones will be about some of the issues involved, the platform used will be my latest project ‘Our Skirmishers of Lace, Steel and Fire,’ I will be trying to avoid:

Preaching for this to be the ‘true and only way’ to write

This being a marketing feature.

These posts are one writer’s experiences, you can take notes, compare or resolve to do the opposite. Whatever. As long as you are writing or starting to write.

Thus said;

A daunting aspect of writing is starting off. Most folk will go through an episode of staring at a blank paper or screen. All the words which were tumbling around in their head have either evaporated and lie condensed in the sub-conscious or are blocked up somewhere along the creative channel. The poor writer in a creative panic, thinking, whispering or muttering: ‘Where do I start?’

Nothing unusual there.

A writer might have a plot line but still can’t get the details onto ‘paper’. If you are on a laptop, by the way and are listening to music do not be tempted to go onto YouTube to watch the music ‘live’; more chapters, ideas and writing time are lost that way than through state censorship.

One way to ease in is to have your backdrop, environment and underlying themes set out as a motivation. Let me elaborate here using myself as a laboratory specimen.

As the years go on, I find myself becoming increasingly picky about subject matter. The moment the words ‘serial killer’ crop or ‘conspiracy at highest levels’ crop up, I am off and away. The former repel me, the latter I have had my fill of. There you go; my choice. Also, after reading so much political and military history there is a tendency for me to go for happy or at least equitable endings.

After reading a great deal a writer (or writer in situ) will have a sneaking whisper in their head ‘Yeh, fine, but I think I could do better’; nothing wrong with that just so long as you keep the feeling under control and don’t publicly savage all writers rather than write.

A writer may also feel they have a voice and just want it to be heard/read.

Putting those aspects all into my head and mixing them up this is the universe which began to form, the one most comfortable for me to write in. In this instance ‘comfortable’ does not mean cosy or easy, the usage refers to the most productive way the words come out.

In my case. Firstly being a Calvin (Calvin & Hobbes) type-dreamer I am hopeless at writing about the normal world. I am at my ease when writing fantasy for being incurably impatient researching science to create a credible SF background would just not work for me. Give me a place where laws of physics and chemistry are working which have not yet been uncovered or fully realised. But may I stick with some of continuity!

My familiarity geographically is with northern Europe, as this book is set in another time after monumental events this gives me some leeway to juggle about with peoples, places and locations. Thus, a great deal is given up to the readers imagination.

As stated above since everything is geared towards a certain type of ending it is easier to move along while creating ‘bumps’ in the road, in fact flooding out the road on occasions, or putting in a divert.

My own interests have always been in matters military, my work experience has been in the UK civil service thus I approach neither subject with a rigidity or clichés. The principal characters are also the ones at the bottom rungs, so they are focused or trying to carry or survive orders.

I like romance as a feature of a story. Setting this in a narrative is not a problem, avoiding the cliched predictable, highly unrealistic settings, interactions and terrible descriptions are! ( more about that later…later I said!)

Evil does not triumph in my books. Evil has one hell of a (‘hell of a’!..you gotta laugh folks, I got dozens like that!) time in my worlds, in fact my challenge is having the thing hang around enough to create a feasible contest. The main methods of destruction and unhappiness in my worlds are. (A) The well-meaning authoritarians who think they know best (B) The folks whose plans are not very good (C) The opportunists waiting for the ‘main’ chance (D) The thoughtless idiot (E) The unforeseen collision of plans.

I personally cannot write very long without some sort of humour creeping it. This may take the form of a satirical comment on today or some of the lazier troupes of Fantasy writing. It can be bawdy or downright slapstick. It may be knockabout verbal. Being a male as we never grow up it could be very, very juvenile. Since all these happen in Life anyhow, I have no problems with putting any of them into the narrative.

And finally, tying in with the ‘evil’ thing as those who have read my posts know I have no tolerance level for cruelty, bigotry, and violence on the weak, so I work out a few ‘issues’ without being too obvious and straining the narrative.

The above are therefore my ways of giving myself a setting I can work with, to enable me to concentrate upon plot and characters. Some of the facets I have listed in fact encourage me to get on with the work, because I do so want to write about them; the problem being not to rush into these or keep repeating unless there might be good cause (a really valid ‘might’). Thus, there is my environment to work within.

If you take a ‘Living World’ analogy it can be seen there are many environments in which Life flourishes. Therefore, what is my favoured environment, might well be another’s arid desert, frozen tundra, crushing sea bottom depths or any other comparison you might care to make which will stifle your creativity. The important facet being you create your own in which your own flora and fauna of a book may flourish.

Keep on keeping.

The Return of The Wayward Writer