A Lesson Truly Learned (Learnt….whatever)

 

So this is how it ended….

OK, thought I would start up a site dedicated to my series of novels ‘The Precipice Dominions’

Vol I Of Patchwork Warriors 

Patchwork (revised edition…new cover pending)…Old edition currently avaiable on Kindle…. (New edition can be supplied by pdf on request…..Commercially bad move…..Who cares?)

And the ready for publication……(cover pending) Vol II’Our Skirmishers of Steel, Fire and Lace’  (Pdfs avaiable)

And I set up a site, I spent two days (daze) setting up a site….several times…..and now reports come in from friends that the link does not work.

I was vexed sturm_drang2 But not surprised…not where computer sites which have been recently revised are concerned. I took a mature and philosophical approach…..

 

Big Raspberry

And then decided it would be best if I just continued to use this site to discuss the world and the people of the books. For these are places and characters which have taken on a three (at least) dimensional form, this is quite exciting and has lent a serious level to my writing I have not used in pervious years.

Some might say this is just overblown marketing or jottings of someone who has nothing else to do with their time and just ‘gone in too deep’ (the latter would be ironic  as this is a problem one of the characters has). For me it would be a continuation of a naartive which has been going on for some time. And as is the case with most of my posts one of the intentions is to provide some basis for other writers to ponder over when producing their own work…..Not a ‘How To..’ more a ‘Make of it what you will’

OK I’m done for the present 

Risks and Things When Raising a Profile

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Stereotyping. Did I? or…. Did I now?….Or….No that’s Not What I Meant…Or…Oh Heck I Wish I’d Never Started This…

Introduction

Currently, mostly for better, sometimes for worse, we have more opportunity for self-expression. The ‘worse’ aspect is the amount of filth, hatred, lies and self-righteous indignation being spouted out on social media displaying hideous levels of ignorance, even by those who claim to espouse enlightened views. Give me a regular bigot over an intolerant liberal any day at least with the former you can get straight down to the argument and not have to wade through distractions on the grounds of alleged ethics, contradictory bombast, fashionable buzz-words, and painfully obvious self-righteous indignation. With free expression should come responsibility….a word these days which it seems should only be applied to others.

Anyway as usual I have digressed, but only slightly, sort of. Because this post does walk hesitantly on the borderlines between the justifiable, the questionable, the excessive and the downright hypocritical.

Trouble with those borders, they are prone to shifting, as do the myriads of factors which make up the weather. And like the weather too much of one sort can be harmful to our survival, although in this case the survival would be artistic.

Currently as the fourth paragraph takes shape I am wondering whether I am in the process of producing an erudite opening statement or simple procrastinating. Ah me, thusways without anymore endeavours at rhetoric time to step in.

 

A Walk Through The Minefields of Writing Fiction.

Gender. Race. Religion. Politics. Social Groupings. Humour. Violence. Sex (didn’t want to disappoint some of the readership there).

Any of those by themselves contain enough combustible material to illuminate a social media site to nova proportions, even when the hapless author was writing with the very best of intentions. Here and now we may as well ALL admit it; we all contain a capacity to be not just be offended but to seek out reasons to be offended. If you have yours under control and just rage at the most obvious injustices, bigotry and hate then I salute your maturity; otherwise, c’mon guys, you and me know the guilty secret, we all get a kick out of it.

Meanwhile for the innocent and well-meaning fiction writer there is a charge which will get levelled at you straight away.

The charge will be because you are not one of the ‘whoever/whatever’ you are writing about you are stereotyping. As with most reasonable criticisms there is an element of truth buried deep within. AND to be fair this is something the writer has to grapple with. HOWEVER when taken to excess this would limit me to writing about retired married Caucasian males in their late 60s resident in the North East of Wales (UK). I hasten to add there is probably a wealth of material in such a theme and some very good books could arise….But not from me. I write Fantasy Fiction and am wont to throw lots of elements into the mix, for me writing anything else would be, to say the least…not very good, and meandering.

This initial accusation can give birth to portrayals being ‘demeaning’ ‘offensive’ or ‘typical view from a….’ (fill in the character-type and then the ‘type’ of the writer, you’ll get the idea).

Should the writer be trying to avoid this and miss a step they can be accused of ‘pandering’ by creating an ‘alpha’ or ‘saintly’ or ‘magician’ or ‘too perfect’ Annnnddd if they try and balance they risk getting slammed from both sides.

I tell ya folks…

You.

Just.

Can’t.

Win.

You can’t please everybody and since you are an ordinary human being, whereas you might get a hundred ‘likes’ and ‘favourables’ those three or four ‘dislikes’ ‘angrys’ and ‘kritiks’ (sic) will really sting you off of your game.

Like most good causes, subjects which started off with nobles aims and clear projections get side-tracks and distortions added in because of The Human Factor in its multitude of forms.

Somebody somewhere will not like something you have written on some sort of grounds other than your style of writing.

 

Down in The Shelter Prior to Starting.

OK, you and I are probably never going to create works whose portrayals will be argued over in the columns of prestigious newspaper or causing massive flurries through the Social Media-verse. And yet, fragile creatures that most writers are, being aware of these controversies can hamper, stifle and even frighten a writer into not producing their very best.

So what are we going to do about it? I say ‘we’ because I am proud of the struggling writers who finally get into print, ok maybe the genre is not for me, but heck they have got there, and for me that is a victory for us all.

 

(Pause fer thought: Here’s an example of the problem I am writing about. Look at me using military phrases ‘minefield’; ‘shelter’ ‘victory’. I am willing to bet if this was a popular blog someone somewhere would object to at least one of those words, for some reason or another…..I could write the objections myself…and that’s before we get onto those angry at ‘the theme’ )

 

Back to the ‘We’ and the ‘What’.

Remember, unless you are going to try and write about you own group which when you take into account age, gender, social grouping, race, religion (or not) etc, etc is going to be narrow (ish), you will always be writing outside of your comfort zone and will likely to be making assumptions or be seen to be trying ‘so hard’ not to be so. Accept you will upset someone, somewhere, sometime. The important aspect is try not to antagonise. (unless you are being deliberately provocative, if this is the case you had better have a pretty good balanced ethical reason otherwise I will be in the kicking line.). Nor patronising by giving the character all the goodies. Therefore just do the best you can…. as simple as that.,

In doing the best you can, try and familiarise yourself with the whosoevers you are writing about. This does not mean you ostentatiously try and hang out with them and ask stupid questions like ‘How does it feel to be….’. That is painfully offensive and patronising. There is enough material out there written by folk of the various groupings (and don’t forget those groups do cross-pollinate) for you to get a general idea to break down your own assumptions.

When breaking down your own assumptions try not to shoe-horn a type of character in, just because you want to prove you can write about ‘that sort of person’ or they ‘look good’ in the narrative. Try that and oh my, you really will be heading for a lot of trouble…..unless of course you are writing something wildly comical and even there can await deadly traps for being offensive and stereotypical. Fit the person in naturally, where you would expect them to be, which truth be known would be a lot of places. You don’t need to force them in.

Once you have eased in a possibly ‘sensitive material’ character (which could in some febrile corners of society could be anyone irrespective of age, race, gender, orientation, beliefs etc, etc) into your narrative then do not try and have them skirting about trying to be perfect, or exceptionally empathetic, witty, brave and all good things (see above ‘goodies’)….OR…fall into another trap of trying too hard not to make them so, so they end up as a spare villain. Give them depth, let their purpose and motivations. Then defend them and their inclusion against all comers outside of the book. They are a person, who happens to be…… (fill in your blanks)

 

No One Gets It Exactly Write (sic) for Everyone, Everytime, Everywhere, Everywhen.

Being plain about it; to reapeat.  Do your best. Meld your characters. Check yourself from time to time to see if they are fitting in naturally to the situation you are writing about. Avoid a preachy style if you can (unless you really don’t care what folk think; it’s your narrative kiddo. What do I know?)

 

Conclusion

Sounds like one of those ‘How To’ pieces yeah?

[Whoever writes those is not going to win either.

If they are famous, many will be the sceptical person who will say ‘Oh fine. That might have worked for you…BUT…..(and then they go off on a tirade)

If they are not famous (let me get my mirror function on this laptop), then folk will say ‘Ha! If that’s the case, how come you are not famous?…..AND….(then they go off on a tirade).]

Just accept folks, if you write, someone is not going to be happy with what you have written. (When you think about, that could be pretty cool because it means you have reached a wide audience…Whooo-hoooo. Embrace it!!)

In the next post I will endeavour to illustrate my own journey and justifications in getting from conception to written…..an act which will have its own pitfalls.

 

The Return of The Wayward Writer

My Absence

 

There are times when it just gets you. Y’know?.

I appeal you who are writers of fiction to back me up on this. The time when The Book takes over, and all of your creative powers are drawing into the swirling nascent stellar body which is, to use the vernacular ‘Your Baby’.

I would tease out the cosmological analogy a smidge more by way of explanation. Stars commence as clouds of dust, an event causes the cloud to contract, gravity kicks in more and more dust gathers together, pressures build up, the event grows hot building up to a crucial temperature when nuclear fusion takes place and what was dust becomes a star.

There is a risk with using this description. Mean folk of negligible talent who carp but never write will pass cheap comments about arrogance and vanity for the writer daring to compare their work to a stellar event. HA! I say…in fact I say ‘HA!’ again. In a writer’s own universe, the creation of their book is as such, and a writer has good cause to celebrate.

Anyway, to clarify:

My Second Volume preceded by ‘Of Patchwork Warriors’. Book Cover 9(kindle -Amazon)
My second volume: ‘Our Skirmishers of Lace, Fire and Steel’ (or maybe ‘Our Skirmishers of Steel, Fire and Lace’, I’ve not quite decided). This continues the involvement of Arketre Beritt, Karlyn Nahtinee, and Trelyvana Waywanderer (an adopted name. For most of her life she was simply known as ‘Trelli’) in events in the physical world of the Oakhostian Empire, the otherworldly power which going by many names permeates all, the unsettling other realms which its existence made possible and the beings inhabiting therein.

Those of you who were following my many travails will know the original version of the novel when tested on the re-write suffered from instant ‘wheels falling off’. Here are few of the errors:

Humour, and pretty puerile humour at that, in the wrong places.

Plots wandering off into sub-plots with no immediate relevance.

Characters who made a big fuss at the beginning fading into obscurity half way through with no good reason

Circumstances from Vol I being repeated with new scenery in Vol II.

Minor characters who should have been important wandering in and out with a confused air about them to blurt out a few hurried lines then vanish again.

An excess of sub-plots.

A rushed conclusion with previously unforeseen events forced in to make it work.

And whereas I do like sort of happy endings, riding off into the sunrise just looked…. odd

Naahh it wasn’t working.

For those of you who have been through similar experiences you know the agony and the weariness which assails the writer on having to start up again, having to shed yourself of the notion all the time previously was a waste. The latter is a falsehood. If you’ve not been along this road yet you have to appreciate the first draft is always bad and the second one won’t be much better and so on and so on, you’ve simply found the way which won’t work.

A re-write is like that only far heavier. But what must be done must be done.

It was fairly plodding to begin with, trying to use large chunks of the previous writing, having to ditch them, pondering here, pondering there.

Then back to the star analogy, around about December the narrative took on a very strong momentum all of its own, the whole work was demanding to be finished, all the necessary parts were in place on paper on in my head, heart and spirit; the final coalescence was taking place. So, what with the seasonal activities joining in everything else had to take its place in line, all creativity was being fed into the book, all writing time subsumed into the finish. My own version of nuclear fusion was taking place right here in my universe.

And so, here I am on the re-read. Sure, aside from spelling, syntax and so forth one or two bits are being edited out, but only so the good of the main narrative.

Over the next few posts I will be going into this. This will not be an exercise in how I expertly navigated problems, nor a course in ‘How-To’ (In this blog?…….The very idea!). These will be simply one writer’s journal of their experiences. The reason for cataloguing them will be to share with other writers along the lines of:

Oh. Not just me then.

Hmm. Must make sure I don’t do that.

Oh yeah. That’s interesting I think I could improve on it though.

Ahh, I wonder if something similar might work for me.

Hey, there’s hope for me yet!

There might even be some time given to ‘The Marketing Thing’.

 

I wouldn’t have had it any other way!

PS: Thanks to Charles for pointing out it’s ‘fusion’ not ‘fission’…..curse that cup of coffee!

 

 

 

 

Thoughts of a Raggedy Writer

Please note I have my special quirky hat today, well actually I usually do, but it is necessary to state the matter in case folk might think there is a tinge of self-pity here…Nope! Brexiteer

Truth be known this another of those posts in which I heroically show how not to do things.Handel_GF

One of my volumes is 51vnj7ZqupL__SY346_
this book contains a dedication to one of my grandson’s Jim. It is in memory to the long talks we used to have over history whenever he came to visit. The realisation dawned he did not know about this, so off went an oblique text and the said book was made ‘free’ for a few days so it wouldn’t ‘cost’ him. He was happy, I was happy he was happy and all well and good.

Then came an e-mail from Amazon about royalties which usually indicates in the last quarter someone has downloaded a kindle copy of one of the three volumes out there. Curiosity was piqued.

The Report page indicated on the 1st day of the above mentioned free period some 40ish copies had been downloaded, this was instructive as no mention had been made publicly and my grandson been a couple of downs before he downloaded.

So conclusion was made that folk must check for free books on Kindle. How do they do that?…..errr…..dunno. One of the many aspects of marketing etc which remains a mystery to me. One of the many which I have never bothered to check on.

Maybe there will be one review out of it. You have to be realistic. Folks sell thousands of books, but don’t get thousands of reviews; that would look odd, if you ask me.

Anyway, dear readers the moral of the post is as I and many others have mentioned:

If you want to have your work known to the public, if you hope to sell copies, you have to do some work in these areas, you have to have some sort of knowledge as to how ‘things’ work. Whereas producing a book is hard work, having the final product in the public arena is a whole different matter. There is more sweat, there are hard knocks if you have an editor, there are costs if you wish to have a professional cover, there is much to be done on social media, and there’ll be more except this raggedy writer doesn’t have much idea what the ‘more’ is, other than even after all that there could still well be disappointment; it is a fact of writing.

One day….One day, I keep telling myself, matters will be approached in a stern, mature and semi-professional way….. One day. After all I am retired. I worked in an office and was counted as reasonably good at organisation (and as a servant of H.M Queen Elizabeth II had to churn my way through UK Income Tax law). So what is the problem…. One day it shall be attended to and the world will be aware of my works.

By now you should have a notebook out with comments such as:

‘Must not be like that!’

‘Do the opposite of whatever he has done’

‘There’s hope for me yet!!’

‘Find serious blogs on being published,’

‘Find out how Kindle Works’

‘Find out how anything works’

‘A taxman/revenue agent- spawn of darkness- does not deserve to succeed in writing, there will be hidden apocalyptic messages bringing forth The Beast’Solution to Frivolity

And thus dear readers journey outwards, remembering if you wish to become published and recognised writing the book is only half the work. Th rest will be hard; there will be no easy paths. This cannot be sugar-coated

In the meantime, on reflection I may be content to be a raggedy writer, maybe I am not just cut out for that extra push, thus maybe my work will stay forever in small forgotten corners. Maybe that is good, maybe it is bad, maybe it is neither. After all there are more types of writers than are dreamt of in anyone’s philosophy.  William Shakespeare                                                               That sounds familiar.

Times which try writers’ souls*

Ah me….

Interludes with “Skirmishers of Fire, Steel and Lace”Unit2_Lesson2(not again)

As you may (or not) be aware I have been writing Volume II of my Fantasy Epic. For those who have been following earlier post being either (A) Morbidly fascinated (B) Wanting to find out how not to do things (C) Are finding this narrative more entertaining that Vol I, you will have surmised there have been problems with the re-write. (If there’s anyone out there who is now saying ‘Saw it coming’…..I don’t wanna know!…Leave me alone, I am artistically suffering here!).

Gefühle-Die-Leiden-des-jungen-Werthers-676x884

Anyhows, there I was having reached a certain point where I decided to shift the whole emphasis under the firm (at the time) belief that the narrative could stand the strain. Thus didst I forge out.      puritan-christmas-color

To reach the point when it seemed judicious to go back to earlier chapters and squeeze in just a few words…..no paragraphs….now whole chapters to make the newish turn in the plot fit and…..

Yep! The whole thing shuddered! And bits started to fly off in all sorts of direction. “Crash and burn” should have been the phrase but somehow by a miraculous effort of character and stubbornness the craft was landed, and although not in one piece, at least all the bits were quite close together and as bits intact.

The only damage being to my writer’s sensibilities.Me

Naturally it was time for a mature action.sturm_drang3

After the obligatory sulk, lapse in self-belief in my ability to write and of course a few   8d8f41c1217d3007621ceda397c48ef6 s at the covers of the books of very successful writers (Yes I indulge in that too!) I squared my shoulders, set my chin firmly forward but on realising the whole pose looked ridiculous returned to writing.

Annndddd back to the very beginning of the book. Never mind about the time going down wrong trails, never mind about those promising characters who were now cluttering up the narrative (Sorry folks, but there will be other volumes or more, so hang on in there, your time will come).  Chapters are being re-written, placed in a different order (I can get away with that since there is not just one location, or time), whole sub-plots put aside for another day.

Anyone who has faced this circumstances will tell you it is a ‘Load’ (in several senses of the word.)

But out of the blue my very good friend Sha’ Tara of  Burning Woman’ https://wordpress.com/read/feeds/20902694

when replying to one of my replies to one of her posts added this comment:

“By the way, I am re-reading “The Patchwork Warriors” and finding it much more interesting and relevant this time around. I would recommend to anyone who’s already read it to go over it again, and if anyone’s not read it, to do so. Yes, you can copy and paste this into your blog or book review if you wish, and I’ll have more to say about Patchwork when I finish this re-read, I’m sure.”

And boy did my spirits soar and endeavour solidified, so a very heartfelt THANK YOU to SHA’TARA, ‘Skirmishers’ is revitalised!

The downside to this is the writing eats into my WP time, so I’ll not be around as much as I could like to be; many of you will understand the statement……. ‘The Book Is Calling’Boating

You are, none of you, forgotten.

After all without your calming influences, interesting posts, insights into Life I would still be grubbing about on FB wasting time picking fights with other hapless folk.

Thank you one and all.

Trial_by_Jury_-_Chaos_in_the_Courtroom(He didn’t try and pull a cheap advertising ploy on the 1st  book….Oh darling I am so happy!)

Of Protagonists, The Unexpected and The Go-Figure (Adventures in the World of “Our Skirmishers of Silk, Steel and Fire”

 

*thomas-paine-9431951-1-402‘Pon my soul…. Plagiarised!’

Of Protagonists, The Unexpected and The Go-Figure (Adventures in the World of “Our Skirmishers of Silk, Steel and Fire”

One of the advantages of having no illusions about ever being a great success (as opposed to dreams and wishes that is) in writing is one is able to experiment and not be afraid whichever what-way matters go. Once more, dear reader and fellow writer, feel free to take out notebook and notate either ‘Hey I must try that’ or ‘No, must avoid that’ or ‘Oh boy that is so not going to work for me!’. To repeat my blog is all about pitfalls, wrong turnings, but best of all ‘Wow! The blessed thing actually worked! Who’d thought it??’ So gentle follower let us take another sojourn, shall we?Williamterriss7

Many successful and also good writers (the two do not necessarily go together) will hold fast to the idea of there being at least one strong protagonist. To have a hero or central character who forges though a book with no particularly effective opposition is not going to work. (unless the writer might be the latest Commercial Thing- which we are not are we?)   This is a good point and is undeniable.

Once more I have to admit, villains are my weak spot, they are there to be humiliated or slaughtered. Morally, elastic types who drift between ethical and legal borders, not so bad with those. Real fearsome, terrifying, evil folk…..not going to have a good time in my pages, if they do hang around it’s only to suffer…So sue me.200px-Advokat,_Engelsk_advokatdräkt,_Nordisk_familjebok

Anyway, a solution to this dilemma and to give my characters more to do than just than having a fun time or a challenging romp? Ah there was the rub! (Pause for Shakespearean interlude of silent staring off-stage).Othell0-8_2-1924-Jago

Now speaking for myself I read a history, mostly military, and after reading a lot of this it began to dawn, very little every goes to plan. In fact, after many amendments to the original we have the military saying, ‘No plan survives contact with the enemy’ (the original is much longer and slightly turgid). Thus, it occurred to me in the real world would you have a seemingly all-powerful and cunning protagonist whose plans went along so smoothly until the last few heroic efforts of the central characters?…. Nah! Great military geniuses and shrewd political operators were often wrong footed by the unexpected and had to adapt… if they were that good at their job!

To get around my prejudice (yes, it is a prejudice, must admit it) I thought about the many events in history and how these overwhelmed the participants maybe permanently, maybe temporarily and set the protagonist as The Situation the world was in.

To re-cap or to introduce. The World, which is ours set in a future at some stage was overwhelmed by a force which has many names (Ethereal, Stommigheid to name but two). Its true nature is not to date revealed, however can be utilised by machines, mind or physical effort, but NOT, NOT controlled. Think of an ocean or a river, think of water. Now in this future the World may be split or have given rise to other satellite worlds as a result of the arrival of this force, which is subject to its own relationships to the Universe and using the Water analogy there are tides (aka tydes- just liked the ‘y’) and storms. The stories are taking place at one of these junctures.

The first volume……..

Patchwork (See Amazon Kindle for your copy of ‘Of Patchwork Warriors’)

understanding-anger_183x90_184933693(if he does that again, I swear….)

set up the central characters, a familiarity on how this force affects the world and also an insight into some of the life forms other than what we might think of as human. This second volume looks into how the coming turbulence is affecting the plans, strategies and intentions of disparate folk, organisations, and races. The principal theme here is that no one is control, there are no superior beings, everyone is in the same boat, most just don’t realise it, they are floundering, or adjusting all the time.

Thus my central characters are working in constantly shifting states, whereas they remain true to reach other. The often comic and wacky Karlyn is drifting or being driven closer to learn about her background; Every Soldier Arketre is being shunted up the ladder of responsibility and getting some tough orders. While Trelli is still continuing her journey of discovery and adaptability to her new ‘powers’ although her journey parallels her two comrades she has a more ethical dimension to cope with. Not that matters are any easier for Karlyn and Arketre whose actions are decisions are always overlaid by their emotional and physical love for each other. They, all three are facing the ramifications of actions by several agencies and individuals, who themselves are linked in some case.

Yeh, great fun. The challenge is to keep the whole business fairly easy to follow. No one cares for a book which has them going ‘Huh?’ Confused person on Brexitand then flipping back through a few chapters to find out who was what, doing which then. Nor do they like to read a narrative interrupted by a brief resumé of that character’s actions another few chapters back. Lavery_Maiss_AurasNope it all needs balance. AND making sure the central characters aren’t swamped by everyone else’s business.

In fact, at times writing this novel seems to have parallels to writing a history. The basic facts have to be there, the important characters must be given their full due, but attention must be given to those lesser folk who turn up and spoil everything AND there are always circumstances outside of any player’s control; usually weather. (smart folk should always take into account weather, it happens)

This makes for a degree of flexibility too, as you never know who will rise to the occasion and who will get overwhelmed and fall out. The only spoiler I have three is the continual presence of the three centrals Arketre Beritt (solider), Karlyn Nahtinee (adventurer and enigma) and Trelli (Professional Name Currently Trelyvana Waywanderer, and she’s regretting choosing it. The Everyone of the saga).

The best part is, there I am wandering about the house doing my share of chores, when suddenly I get a ‘Hey! ‘They’ would do ‘that’. Of course ‘they’ would,’ interlude, which was not planned, but bubbled up from the whole brew.

I just love writing by the proverbial seat of my laptop. The first draft was OK, but now the real fun has begun.

So I thus end with a familiar refrain. You can think about this approach. You can shake your head in sad despair at my hapless ways. You can recoil in horror and sprinkle your laptop screen with sacred coffee (or tea) at such heresies. Your choice.  Just do me one small favour.

Keep writing. Never, ever give up on your writing.

Wishing you Good Journeys People!

Winning Back Your Novel (Adventures in the Writing of “Our Skirmishers of Silk, Steel and Fire”)

Winning Back Your Novel (Adventures in the Writing of “Our Skirmishers of Silk, Steel and Fire”)

 

Pencils and notebooks out time folks.Victorian writing

Here is another delve into my writing career (the word for me in uncomfortably close to ‘careen’). For you to take note of, or…if you so wish to say ‘Nah…I wouldn’t do it that way!

For those of you who have been familiar with my blog know full well how much of a problem I have with THE PLOT. This item coming down the list of priorities in my writing. Characters- no problem, narrative not so bad, humour- loads of it.

Plot?

Hmmm.

Anyway, as alluded to in my previous post having completed the first draft of Our Skirmishers of Silk, Steel and Fire I began to address THE PLOT. And in doing so a suspicion was finally confirmed.

Not only had my characters started to influence my writing, as in the previous volume ‘Of Patchwork Warriors’ Book Cover 9

(See Amazon Kindle “Of Patchwork Warriors” by R J Llewellyn)

fed_up_woman-620x412
I wish he wouldn’t do that

where they had snatched a sub-text and turned it into an entire facet of the plot; in this case they had taken hold of the whole durn book.

It’s not that I mind them having their moments of glory, adventure, romance, humour, clever schemes and narrow escapes, after all it is those aspects which give a book its flavour and zest. The issue in contention here being they felt inclined to fill every corner up with how they saw things and coped with them, BUT not allowing me to explain WHY these things were happening. Or if I did get a sentence in, matters came across as hurried and ‘Oh By The Way’ the empire is falling over and the emperor has gone vicious for no apparently good reason and I appear to have lost three minor characters who were to have conveyed certain major plot elements. Either that or there was only enough space for some other lesser characters to gather and engage in cryptic or enigmatic conversations.

(At this stage I should point out to new readers; it is my opinion I do not create these characters, they exist in another part of Creation and by some wonderous osmosis we have tuned into each other. You will appreciate I have a mixed blessing here.)

At first there was a problem of shoe-horning in ‘facts’ of the current geo-mystical-political situation in the world of this story. Some characters were unhappy at having bits of their own favourite business cut out and tried to be awkward in obstructing the flow of the narrative. Then there was the issue of avoiding the dire ‘Let me explain’ in which one previously minor character stands up and proceeds to suck the oxygen out of the flow by explaining some history or process with all the verve of a bad lecturer in economics; some successful authors get away with this; I’m not successful.

So stern and tough-love measures had to be taken, being the one who knew the world in which these stories were taken place I contrived to throw in events which I knew would fit in but were surprises to the characters. This did cause some flummoxing amongst the cast, so much so they quite overlooked me cutting out chunks of their personal activities and speeches. As is the case in normal life, they had to deal with the random and unexpected.

Since the narrative was now back in my hands I started to inject the themes encountered in history, not events, themes. Reading of political and military histories suggests there is a constant unpredictable factor be it natural such as weather, unknown folk rising suddenly, or established subordinates thinking ‘I Know Better’ and going off on a tangent; in addition you must also consider bodies of folk who have not read or forgotten the script. There is a military adage that no plan survives first contact with the enemy; thus the notion of some all-power (usually grinning) who until the last chapter is two steps ahead of the hero(es) goes straight out of the window.

In this novel there are Patchwork (ooohh, where have I heard that word before?) alliances which are fragile and not based on trust and no one is really in control of the situation, because no group really wants to work for another group. This gives an air of uncertainty and makes for interesting situations, hopefully the reader will as all writers hope ‘want more’.

This comes with its own set of problems.

For a start off it’s necessary to make sure every character is an individual but none of the lesser ones steal the plot in some unexpected way.

Secondly there should not be too much plot and sub-plots lest the reader eventually thinks….Uhh? and finally……Hah! Who cares!…..

Thirdly, structure. Even in chaos, there is structure. In writing this part of the series I ask myself a hard question. Would the background stand up to an historian’s scrutiny as a possible series of plausible events?

Jerk
Err?

Still, nothing worthwhile in writing comes easy. At least it shouldn’t.

So far, so sort of good. There has been a lot of alteration and some deletion of banter and ‘business’. However, the atmosphere of crisis and varied approaches to it is starting to seep in; it is meant to seep in, all being well this series is a long haul (heck I’m only 67, plenty of time). And the central characters?

They are struggling to keep balance and focus (Well apart from Karlyn, but if you knew her you would  not be surprised. This said she is not going to be allowed to scamper and giggle through the whole lot; even if she is difficult to rein in).

In conclusion.200px-Advokat,_Engelsk_advokatdräkt,_Nordisk_familjebok

Never be afraid to let go on a tight narrative. Life is not ordered, predictable or convenient, so why should you story?

Re-rewrites, Highlights and Reality-Bites (A journey through writing of The Skirmishes of Lace, Steel and Fire-Part II of a Fantasy )